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The GETMUSIC blog

How beat licensing actually works, what producers get paid, and what we are building — written by the people building it.

licensing

What you actually own when you lease a beat

Leases, exclusives, master rights and writer's share — in plain English, with the exact numbers GETMUSIC works to.

·4 min read·licensing
producers

MP3, WAV or trackout — which one you actually need

What each file format gives you in the studio, and the one question that decides it: is someone mixing this record?

·3 min read·producers
producers

Type beats, explained

Why every beat on YouTube is named after someone else, what "type" actually claims, and how to search them without wasting an evening.

·3 min read·producers

Guides

The reference pages — how the platform works, what you get paid, and what a licence actually says. They don't age out.

Promoting a beat — what a boost actually buysWhere a boost lands, what your budget buys, why some beats can't be promoted, and an honest answer on whether it's worth it. → The artist guide — one subscription, the whole catalogStop paying per beat. How licensing, formats and releases work when the catalog is a subscription. → The producer guide — how you get paid on GETMUSICA daily revenue pool instead of one-off leases, what drives your share, the plans, and straight answers on the platform fee. → Who we areA registered company, four people you can message, and a licence that stays yours. The trust page, in full. →